The Worst Thing
“The film pulls us close without being intrusive, offers emotional depth without becoming sentimental, and maintains the required distance to function as a documentary. It is an all-around accomplished film.” - TOA Magazine [DE]
"Brings broken figures so close to reality that we transform ourselves into them, becoming their sworn shadow.” - Snowdance Independent Film Festival Jury
- Snowdance Film Festival *Best Documentary*
- Portland Film Festival
- Anthology Film Archives, NYC
This morally-complex film concerning one woman’s search for resolution after years of trauma related to her brother’s death at the hands of German terrorists explores the radical concepts of restorative justice.
The Worst Thing follows Kathleen Pequeño, Edward’s sister, in her recent efforts to connect with Hogefeld, Haule, and other members of the R.A.F in an attempt to achieve restorative justice, a concept which involves victims and offenders meeting to speak about the crime committed and, through open communication and active listening, coming to an understanding of each other’s positions and attempting to heal old wounds. Kathleen, as a young woman, had been estranged from her family due to her mother’s religious intolerance of her homosexuality, and had further been traumatized by revelations concerning her absent father. As an adult, she takes steps to reconcile at least one part of her past by traveling frequently to Germany and meeting with the former left-wing terrorists.
While Kathleen’s attempts to allow her brother’s murderers a chance at redemption bewilder those around her, her steadfast determination to try to understand how self-proclaimed idealistic “freedom” fighters could murder an innocent man allows viewers of The Worst Thing to confront their own ideas of justice, redemption, and compassion. As the film follows her carefully and thoughtfully through her successes and failures, it allows us to marvel at how a woman can not only overcome past trauma, but also help others overcome theirs.
84 Minutes | English and German with English subtitles.
Directed by Desireena Almoradie
NON-THEATRICAL/INSTITUTIONAL TERMS AND CONDITIONS
Each Institutional sale includes a license of Institutional and Public Performance Rights, accounted for in the Institutional Price of the title. Institutional and Public Performance Rights permit screenings in a classroom or library or to a public group of fewer than 50 people when no admission is charged, and are valid for the life of the file.
If admission will be charged or if a group will be more than 50 people, please call or write Torch Films (email@example.com) to arrange for your showing, and for the proper open showing license.
DIGITAL SITE LICENSE TERMS AND CONDITIONS
A Digital Site License permits an institution to encode their own files from a Institutional Use DVD or Blu-ray or to store encoded digital files otherwise provided, provided the encoded files are limited to a secure server with a password protected connection, and to transmit the files via a closed circuit system that is not accessible to the public and is accessible only on a single campus or to those enrolled in courses at that campus. A Digital Site License is valid for the life of the digital file.
By ordering this item, you acknowledge your understanding of Torch Films’ terms and conditions.