"Draws a personal and current portrait of indigenous nations." – La Fabrique Culturelle [CA]
- International Ethnographic Film Festival of Quebec *Public Award*
- Montreal First Peoples Festival
This kaleidoscopic portrait of the eleven Aboriginal nations of Quebec shows the joys and frustrations of indigenous people, young and old, as they balance the difficulties of living within modern Canada while still respecting their many Native traditions.
Whether they are Innu or Inuit, Mi’kmaq or Cree, the voices from all of the eleven aboriginal groups in the film have something to share. Stories are told of the past, when European friars separated children from parents and forced these orphans to speak French rather than their own language. Others talk about the ideas that distinguish Native culture from European, like how the Native medicine wheel connects the physical, mental, emotional, and spiritual or how white people look to “dominate” while Natives look to “survive.” Images pass of traditional activities: trapping beaver, crafting clothing from fur, picking berries, sharpening stones, and performing Native songs. There are the frustrations of those who complain of the lack of infrastructure and fun activities on the reservations, or of the young man who isn’t regarded as Native enough due to his lighter skin. There are also the quiet joys of women enjoying their seasonal return to traditional land or playing a fishing game inside a mitten. All these pieces coalesce to bring these disparate people together in a beautiful portrait of Canadian Amerindians in the 21st century. While the future can appear rosy or grim depending on the speaker, Indian Time allows everyone involved to tell their stories in their own words, taking its time to do things in a very good way.
87 Minutes | French, English, Atikamekw, Innu, Inuktitut and Eeyou (Cree) with English subtitles.
Directed by Carl Morasse
NON-THEATRICAL/INSTITUTIONAL TERMS AND CONDITIONS
Each Institutional sale includes a license of Institutional and Public Performance Rights, accounted for in the Institutional Price of the title. Institutional and Public Performance Rights permit screenings in a classroom or library or to a public group of fewer than 50 people when no admission is charged, and are valid for the life of the file.
If admission will be charged or if a group will be more than 50 people, please call or write Torch Films (firstname.lastname@example.org) to arrange for your showing, and for the proper open showing license.
DIGITAL SITE LICENSE TERMS AND CONDITIONS
A Digital Site License permits an institution to encode their own files from a Institutional Use DVD or Blu-ray or to store encoded digital files otherwise provided, provided the encoded files are limited to a secure server with a password protected connection, and to transmit the files via a closed circuit system that is not accessible to the public and is accessible only on a single campus or to those enrolled in courses at that campus. A Digital Site License is valid for the life of the digital file.
By ordering this item, you acknowledge your understanding of Torch Films’ terms and conditions.